January 06 : 2026
Rachael Ryan
Rachel's image is so powerfully emotive and sensorial that you can almost feel it.
by Lily Fierman
Image: A Sea of Horns
Q:
Can you please tell us more about creating your winning image, “A Sea of Horns”?
A:
So I was working in the yards with a number of people including members of my family and a contract mustering crew. I was bringing goats from one yard to the next and my sister Essie was ahead of me. It was so dusty you could hardly see anything. I turned around and saw Essie silhouetted through the dust haze so I whipped my phone out and took the shot.
What I’m working on [with my photography] depends on what we are working on at the station. So if we are shearing, then I’m working on a shearing portfolio. If we are mustering cattle, I’m working on a cattle mustering portfolio, etc.
Q:
You explicitly mention this was shot on your iPhone, but this image feels timeless and has so much depth. Are you a photographer that just didn’t have their camera handy, or do you shoot on your iPhone a lot? Can you tell us more about your photography?
A:
I am an amateur photographer. I don’t own any photography equipment except for the iPhone version of Photoshop and Snapseed, which I have on my phone. This shot was taken with an iPhone 15 Pro, and I now have an iPhone 16 Pro Max. I have been taking photos for about five years, but only at the beginning of this year did I start posting them on social media. This was partly because, very sadly, my dad passed away last Christmas. He loved photography himself, so at the beginning of the new year, I thought, why don’t I just post a few on fb and showcase the land where I live (my dad’s other big love).
Q:
What is your dream subject?
A:
My dream subject is anything to do with where I live - I especially love showcasing people working. I’m not a professional photographer, so I don’t pose people or ‘set up’ shots. My photos are almost always taken in the moment. So, a raw glimpse into the life of the people who live here.
Q:
What are you working on now?
A:
What I’m working on depends on what we are working on at the station. So if we are shearing, then I’m working on a shearing portfolio. If we are mustering cattle, I’m working on a cattle mustering portfolio, etc.
Q:
Who are some photographers you admire?
A:
This is very embarrassing, but I am not very familiar with the names of renowned photographers. I usually just look through a competition, for example, and take note of the photos that I like the best.
ARTIST